As she returns home, Sara Porkalob reflects on her time on Broadway, the fallout from her “1776” interview and the projects she has yet to share with the world.

Playwright and UW assistant professor Nikki Yeboah’s “11th & Pine,” based on interviews with community members, has a public reading scheduled for March 17-19.

Written by the comedy troupe behind “Reservation Dogs,” the play follows one family between the 1890 Wounded Knee Massacre and 1973 occupation at Wounded Knee.

This season, many theaters, including a couple in the Seattle area, are celebrating the works of legendary composer and lyricist Stephen Sondheim.

Before Weedman popped up on TV, she cemented a reputation in Seattle as a fearlessly self-lacerating monologist. She returns to those roots with “Lauren Weedman BLOWS.”

A disconnect between production and script prevents this version of Lorraine Hansberry’s rarely produced play from reaching its full potential.

Gather ’round as a talented quartet of storytellers take you through modern interpretations of Greek myths that may, or may not, leave you transformed.

In Reginald André Jackson’s world-premiere play, audiences head back in time to meet Seattle’s Negro Repertory Company and learn about the pioneers of Black theater.

Seda Iranian Theatre Ensemble’s first live production is a timely response to news about violence against women in Iran and around the world.

Nonlinear storytelling becomes a hurdle for both shows to overcome in their pursuit of proving the value of every moment we have on Earth.